Each year the Santa Fe Opera offers a wonderful season of art, song and music, starting in June and running through August. Even if you’re not an opera aficionado, treat yourself to just one performance. You will never see another opera company like this.
The stage is semi en pleine air. Either side of the building is open to the elements. The back of the stage opens to a view towards the Jemez Mountains.
En pleine air also translates into a variety of opera wear. The Santa Fe Opera season occurs partly during the local “monsoon season” which brings torrential downpours that drop the temperature twenty degrees and more. Opera attire is whatever keeps you warm and dry and happy.
Opera holds a special place in my heart. I saw my first opera many years ago in Budapest. There was something about the magic of the stage, the costumes and the music that immediately captivated me. I have been an opera fan ever since, and naturally I was curious about the Santa Fe Opera.
During the 2018 season, I attended two performances, Madame Butterfly and Doctor Atomic. Madame Butterfly is a classic, and this performance did not disappoint.
The set featured a steel box at center state, fitted with sliding Japanese style wood and paper doors, to frame the “building”. Mats, flags and other accoutrements decorated the house and a ramp backstage provided ingress and egress.
The change over between scenes flowed seamlessly, as stage hands rotated the structure, added some props, removed others and set the stage for the stunning finale.
Madame Butterly is everything I love about the opera. Beautiful staging, costume, music and song.
This particular evening, it poured rain and the temperature plummeted. I bundled up even as I sobbed at the spectacular finale. Rain, thunder, tears and applause. A standing ovation from the crowd for such a stunning performance. What a wonderful evening!
Admittedly, the indoor/outdoor aspect of the Santa Fe Opera is a bit quirky. And when you come down to it, in someways the Santa Fe opera experience is not at all opera-like.
It’s even better.
Where else can you tailgate,
curl up in a warm wrap to ward off the cold,
and enjoy world class opera?
Yes, tailgate. More on that in a moment.
The opera building itself is situated on the top of a mesa. The original building built by John Crosby in 1957 was an open air theatre. The audience sat on wooden benches. Here attendees were subject to the wind and rain mid-summer. In 1965 a mezzanine was added.
And in 1967, for better and for worse, the entire structure burned to the ground.
The opportunity to build a new opera was taken seriously and what has emerged is simply astonishing. It’s a structure that allows the outdoors in, mostly sheltering the audience from the sometimes torrential mid summer rains. And inside 2,128 people seated and an additional 106 standing positions allow everyone to attend.
Each year the Opera offers an eclectic and interesting array of productions. This past year’s opera season offered a foray into history, culture and even science. Plus of course, a bit of tailgating.
Tailgating at The Santa Fe Opera
Tailgating is de riguer at this opera. Dress up; dress down; but bring something to eat, drink and share.
In the parking lots and small picnic areas, people gather to mix, mingle, eat, drink and celebrate opera season in Santa Fe. Food is also available through the Opera, but many locals prefer to host their own parties. From elaborate spreads to simple picnics, everyone gathers as they wait for the 8pm show.
Opera has something of an elitist reputation. But Santa Fe presents a very different experience that will redefine your notion of this art form.
Be prepared to open your heart to its music.
Santa Fe Opera Tours: Behind The Scenes
The art of the opera becomes apparent with a behind the scenes tour. The actual opera house is just the tip of the iceberg. Below the stage is a community unto itself where costumes are made; wigs are woven; music is practiced; and stages are created.
The tours provide a personal, in depth look at the wide range of people, skills and talents it takes to present a performance. From hand made and customized costumes, to the set storage room which houses all sorts of interesting on stage accoutrements, the docent led tour is well worth while. It offers an eye opening glimpse of the gargantuan effort behind the art. Upon seeing this, I have to admit that two hundred dollars or so for a seat didn’t seem quite so extravagant. (More on the ways on how to find a $15 Opera experience below).
Down the drive is Opera Ranch, a village that houses the seasonal musicians and performers. Tours for the ranch are also offered, starting starting in the Spring/Summer. Check with the Opera directly for details.
Opera ticket holders also have access to a free prelude talk the evening of the performance. Two talks are offered, one two hours before the show, and a second one, one hour prior to the show. You’ll have to juggle this with your tailgating plans, but make it if you can. The talks are fun, educational and prime you for the coming performance.
Atomic Science Meets The Art of Opera
The Santa Fe Opera 2018
The Santa Fe Opera Season in 2018 offered a most interesting selection. I was fortunate enough to attend two shows: Doctor Atomic and Madame Butterfly.
Promptly at eight o’clock, the sound of the horns rose from the orchestra as the lights dimmed. And so started one of the most beloved operas of all the, Madame Butterfly. The performance was simply sublime. Words can do no justice to the beauty and song of this classic production.
A bit more controversial, however, was Dr. Atomic.
Doctor Atomic is an opera by the contemporary American composer John Adams, with libretto by Peter Sellars. Doctor Atomic premiered in San Francisco in 2005. It’s the story of the 24 hours before the first atomic bomb explosion takes place in New Mexico.
The production received an enormous amount of build up and press. Discussions of war, morality and the role of science filled the air. Scientists from Los Alamos, authors, celebrities and Native Americans offered their thoughts on the events that changed not just their world, but the entire world.
Behind the scenes at the Opera, “The Gadget” (as the first atomic bomb was called) was built–a massive steel ball that would be suspended from the ceiling for the entire performance. With the lights of Los Alamos twinkling in the background, the set was almost surreal.
The History Behind Doctor Atomic
It was at the Los Alamos National Laboratory in 1945, where scientists came together to develop the atomic bomb under the guidance of J. Robert Oppenheimer.
“Oppenheimer was given undreamed-of resources, huge armies of people, and as much money as he could spend in order to do physics on the grand scale, in order to create this marvelous weapon. And it was a Faustian bargain if ever there was one. Of course, we are still living with it. Once you sell your soul to the devil, there is no going back on it.”
The process of building and testing atomic weapons would have numerous ramifications for the history of both the country and of New Mexico.
The primary test site was at Trinity, which is located at the northern border of the White Sands Missile Range. Here, on the Trinity site, named by Oppenheimer after a poem by John Donne, a base camp was installed for the world’s first nuclear test. The site was very primitive, but within commuting distance of Los Alamos where the scientists lived.
Wartime urgency and secrecy, combined with the remote locale, made for difficult conditions. Men camped first in tents, and later a rudimentary camp was built. It was here that the bomb would be assembled and tested.
The process was anything but smooth. From the Atomic Heritage Foundation:
“Much of the preparation for the Trinity test encountered setbacks. The challenges faced in developing the Trinity site were numerous and multifaceted, and there were often close calls that could have jeopardized the outcome of the entire project. Some were almost comical, such as when Kenneth Greisen was pulled over for speeding in Albuquerque while he was driving detonators to Trinity four days before the test. He could have been delayed by several days had the officer checked the contents of his trunk.
A more ominous event was the actual process of winching the Gadget to the top of its tower at the test site. As it was being raised to the top, it came partially unhinged and began to sway. Many observers were stricken with panic at the possibility of the bomb accidentally falling from the tower and detonating, but the Gadget was eventually righted and made its way to the top of the tower without further incident.”
On July 16, 1945 the “Gadget” was detonated. The mushroom cloud climbed nearly eight miles high and left a crater over 1,000 feet wide. The test was so powerful that the sand melted in the blast and formed a green glasslike substance called Trinitite.
The 24 hour period preceding the atomic blast is the basis for the opera Dr. Atomic.
Doctor Atomic brought out the mixed and often raw emotions that emerged from the nuclear era in New Mexico, where world class scientists labored under the secrecy of war, while local people saw their land and lives inconceivably and irrevocably destroyed.
How does one reconcile centuries of Pueblo tradition with an atomic bomb that forever altered the land and the people’s sacred relationship with it?
How does one balance wartime urgency and human decency?
It’s a drama of historic proportions that is still playing out today.
And many of the players are still seeking a way to heal.
Healing Through Music, Dance and Prayer
“Art is a wound turned into light.” ~ Georges Braque
Art takes many forms. Dance is one.
In the Pueblo culture, ceremonial dances are ancient prayers. These dances are learned through practice and performance, and thus handed down from one generation to the next. They are considered sacred. Some dances are seldom if ever shared with outsiders.
At the performance of Doctor Atomic, the people of the Santa Clara, San Ildefonso and Tesuque Pueblos came together in prayer, in the form of a Corn Dance.
They were joined on stage by a group of Downwinders, the people who lived downwind from the blast, and to this day are still dealing with the repercussions of the radioactive fallout.
Together this stage performance was intended as a community, cultural and spiritual offering towards healing the wounds of the atomic era.
This confluence of opera, history and the peoples of New Mexico offered a difficult look at the past, and the diverse factions that make up this eclectic state. The promise of science versus the deep rooted connection to the earth; the urgency of war versus a centuries old way of life; the intellect of building the bomb versus the very human experience of its repercussions. New Mexico is a place where ancient tradition and modernity live side by side.
Local interest was naturally very high and the history of Doctor Atomic found its way into various lectures and programs in the lead up to the actual performance. The Lensic Theatre, a study in Moorish and Spanish Renaissance style architecture, was the primary venue for the talks.
While I adored the ongoing education and discussions, for me, the actual performance lacked all the things I love about opera: the elaborate costumes and the beautiful music that transport one in sight and sound. The ominous musical score cast a heavy sense of doom over the performance. But perhaps that was as it should be.
But my advice, particularly if you are buying expensive seats, is to stick to the fabulous classics. You won’t be disappointed.
Looking Back, Looking Ahead
My experience with the 2018 season at the Opera was, overall, terrific. It’s now on the annual must do list and, among other shows, The classic La Boheme is on the 2019 agenda.
The performance of Doctor Atomic underscored the unique the peoples, histories and experiences of New Mexico. In this varied land, ancient history and timeless geography blend with modern day realities. Descendants of the Pueblos keep their culture alive, even as the Los Alamos Labs continue in their scientific quests. To the south, the movie industry flourishes with studios from Netflix and NBC Universal. Rocket scientists, artists, Native Americans and people from around the world are somehow drawn to this quirky culture.
From O’Keeffe to Oppenheimer, it’s a close knit circle of intellectuals, artists and eccentrics that have paved the future of New Mexico. Perhaps given this eclectic backdrop, it’s not entirely surprising that a performance like Doctor Atomic raised so much interest during the 2018 season. I’m grateful for the reminder of our history, and for the look both back and forward, hopefully in healing.
The Santa Fe Opera Season 2019: Tickets
Tailgating, plus the art of opera, is a quirky and unbeatable combination.
Put the Opera on your Santa Fe must do list! While the premium seats range over $200, the standing spots are a very reasonable $15. This allows just about everyone to go to the opera, at least once.
The mission of the opera is naturally to further the art form. But in addition, the Santa Fe Opera is very educationally oriented.
The Apprentice Program is run by Gayletha Nichols, Executive Director of the Metropolitan Opera National Council Auditions. This program has helped to launch some of the most illustrious careers in opera.
Gayletha herself is a formidable force. She’s been active in opera and opera education for decades, starting in Houston, then moving to the New York Met, and now to Santa Fe where she mentors an astonishing range of young talent. The Santa Fe Opera’s Apprentice Program for Singers has seats that are just $15 for adults and $5 for kids. Cost is not a barrier to enjoying this incredible art form. Check with the Opera for details.
The performance roster at this world class opera company varies annually. Santa Fe Opera Season 2019 features La Boheme, The Pearl Fishers, Cosi Fan Tutte, Jenufa, The Thirteenth Child, Renee Fleming, various apprenticeship scenes, and concerts including one by Grammy winner Kacey Musgraves who was named “New Artist of the Year” by the Country Music Association. Not to mention Ringo Starr. And so much more.
Santa Fe, “The City Different”, with the “Opera Different” as well.
Check it out.
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Reading About The Manhattan Project
There are numerous books written about this period of our history. And many films. But a premier resource if this interests you is the Atomic Heritage Foundation. Everything from interviews to archival footage is available to view.
More Reading About Santa Fe Area Arts And Culture
Four Museums and A Garden
Wine and Chile
The Botanical Garden in Santa Fe
Keeping Traditions Alive
Santa Clara Pueblo: Cliffs, Pottery and Art
Puye Cliff Dwellings: Earth, Spirit, Fire and ArtPhoto Mission:Winter at Taos Pueblo
PowWow: The Gathering of Nations
Art in Abiquiu: Visiting The Abiquiu Art Project
Georgia O’Keeffe Country: Abiquiu
The Not So Quintessential Ghost Ranch
Inside the Georgia O’Keeffe House: Ghost Ranch
Inside the Georgia O’Keeffe House in Abiquiu
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